So the most important part of this gown is clearly the beetlewings (technically elytra, or wing casings, but “beetlewings” is easier to understand). Luckily for me, elytra from sternocera aequisignata (the species of jewel beetle most commonly used for decoration) are readily available for sale on eBay at very reasonable prices. The original gown is said to have had 1,000 wings on it, but just to be safe I ordered 2,000– it wouldn’t do to run out and have to order more from Thailand, after all! I thought about purchasing them pre-drilled with holes at the top, but decided that if I was going to have to clip them to size and put additional holes in for sewing anyway, I might as well save a little money and get them undrilled.
To add some interest to the design of an otherwise relatively plain dress, I decided to add a small puff to the top of my long, straight sleeves. Not only that, but I wanted to ruch the puff to give it even more texture and dimension.
I wanted to use existing patterns for long sleeves and puffed sleeves– the problem was, my sleeve patterns are completely different shapes. As in, my puffed sleeve pattern is symmetrical and my long sleeve pattern is cut so that the seam is set towards the back. I decided that rather than try to convert my puffed sleeve pattern, I would use it anyway and rely on the fact that the whole thing is going to be too short for the difference in seam placement to matter.
So it’s time to make the bertha (weird name for an article of clothing, but whatever). Berthas can be made of flat or pleated/gathered pieces of fabric, trimmed in any number of different ways. TV442 comes with two options– a flat one and a gathered one.
I decided to make the gathered bertha, which was really just a long, hemmed rectangle with angled lines of gathering to form the ruffles. I figured that I’d cover up my gathering lines with some blue and gold trim to add some visual interest. Accordingly, I cut out the fabric, ran gathering stitches along the appropriate lines, and started pinning things to see how it would look.
Unfortunately, it ended up looking like this (ribbon is tacked down as a placeholder only, but you get the idea). Ugh.
Once I had my underpinnings set I decided to make the skirt, so I could be sure that when my bodice was constructed it would fit over all of the skirt layers and still be able to close at the waist. I found a nice tutorial online for making a basic pleated skirt from a rectangular length of fabric, so I took a few pointers from that, but mostly I just winged it.
I started by cheating.
Yes, cheating. I knew that I couldn’t get started on my dress until I had the correct underpinnings, and I didn’t have the energy to make myself a hoop skirt from scratch, so I bought the biggest one I could find on eBay– a 6-hoop skirt that was at least made from cotton, so it wasn’t quite as bad as shiny polyester. Don’t I get credit for that much?
Anyway, I knew from experience that the hoops on these cheap skirts are adjustable in size, so once it arrived I tried it on and took a look to see what needed to be done. Continue reading
I know, I know, I’ve already made several Regency gowns out of saris, but they’re just so perfect for this kind of thing! Besides, this one isn’t for me, it’s for a friend of mine who is (luckily) short enough to use the width of the sari as her skirt length, so I used a slightly different cutting layout than I have in the past.
I’ve already mentioned my propensity towards urging my friends to attend historical costume events with me, so it should be no surprise that for an upcoming Victorian ball I managed to convince a friend to let me outfit her in something appropriate– in this case, an altered modern ballgown (of course).