Queen of Hearts Costume, Part III: Neck Ruffle

q-hearts-ruff

To make the neck ruff I did a little research about different methods of construction. Most costumers agreed that to make an authentic ruff, one needed to use starched linen and make stacked pleats to create the swirly-edged look. I was not about to do that, and decided that regular pleats would do just fine.

For this post I will refer to the parts and edges of the ruff this way:

q-hearts-ruff-diagram

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Edwardian Hat

edwardian-hat

I recently acquired an antique Edwardian lingerie dress (translation: a lacy white cotton dress suitable for afternoon wear) that I plan on wearing to an afternoon tea. However, how can one go to an Edwardian tea without an appropriate hat (particularly when one has no skill at Edwardian hairdressing, making the hat even more necessary)? So when I saw this wide-brimmed straw hat in a local store for only $1.99, I snapped it up.

edwardian-hat-base

You can see that it actually has a slightly fluted brim– I liked that detail– and a relatively small crown that would have to be disguised to get the right shape. I wasn’t sure what I wanted it to look like in the end, so I turned to the internet for inspiration.

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Belle Epoque Wisteria Gown, Part VIII: 3D Wisteria Blossoms

wisteria-3d-sleeve

Once I had the embroidered wisteria designs finished, I decided to create a few three-dimensional wisteria blossoms to use at the neckline of the gown. The problem was, I wasn’t sure how to do the stems– the blossoms would be simple, just looping seam binding and using thread to bind the tops together, but the stems were a puzzle. If I used regular embroidery floss they would be too droopy and wouldn’t have any structure. If I used wire they would be too stiff. I thought about fishing line, but then I’d have to tie it all up together and find some way to make it green, and it sounded like a huge hassle.

I finally bought some green cotton cord that was on clearance at my local craft store. It had some structure to it, and I figured that it would strike a nice balance between stiffness and flexibility.

Here’s the process for making the wisteria sprays:

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Belle Epoque Wisteria Gown, Part VII: Embroidery

Once I finished the neckline, I moved on to the important part– the wisteria embroidery. Of course, I’d never really done ribbon embroidery before, so I was a little nervous about how it would go. As always, I researched tutorials online and learned a few basic stitches. I also learned that I couldn’t use just any needle– the 1/2″ seam binding was far too thick to pull through the fabric with even a large-eyed standard embroidery needle– but that I should get a “chenille needle,” designed for use in chenille embroidery. It was recommended that I use size 13 (apparently the largest available), which was a whopping 2.9 mm in diameter.

wisteria-needle

To map out the design, I used masking tape to section off where the blossom motifs would go on the bodice and skirt, adjusting until it looked good from a distance. Then I basted a line of stitching along each piece of tape, so I could remove the tape and do the ribbon embroidery directly over the (easily removable) thread.

wisteria-gown-tape

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Game of Graces

So I planned a historical costume picnic this summer, and as part of the picnic activities I wanted to supply some fun lawn games for people to play. A little searching revealed a game from the early 1800s called the Game of Graces— involving throwing and catching a wooden hoop with crossed sticks. It was supposed to promote gracefulness.

graces

Apparently the game was originally aimed at girls, not boys (what, boys don’t need to learn to be graceful?), but I thought it looked fun, easy, and appropriate for picnickers of both sexes.

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Regency Bonnet… from a cowboy hat

regency-cowboy-bonnet

Okay, so I already made one Regency bonnet out of a standard straw hat. That was easy. But for my second bonnet i wanted to be more of a purist and go with all straw, rather than a fabric crown. And I wanted it to be visually different from the first bonnet, with a more open, delicate look that would go with the light, airy cotton dress I would be wearing it with. Unfortunately, I wasn’t able to find any inexpensive straw hats that had the more open weave– that is, until I came across this cowboy hat.

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I found it on eBay but it’s also available on Amazon (though more expensive there). As soon as I saw it, I knew that it would be perfect to make a lacy-looking straw bonnet. I was a little worried about the brown painted edge accents, but knew I could always paint over them. And after reading some tutorials online about how to re-block straw hats, I figured that the weird crown shaping would be no problem, so I ordered it and got started!

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Regency Rose Reticule

regency-reticule

Once I had my clothes set for the Regency event, I wanted a reticule (small purse) to carry things in, so as not to spoil the effect with a modern bag. I decided to make mine out of an ivory velveteen remnant from my Velvet Pumpkin project, and lined it with a scrap of sage green faux dupioni I picked up for a dollar at the fabric store. I figured that the ivory-and-sage color combination was sufficiently neutral that it would work with either one of my outfits without being too matchy-matchy.

After some internet browsing, which indicated that many reticules were covered in elaborate floral embroidery, I decided to decorate it with the ribbon flowers left over from my daughter’s flower-embellished holiday dress— they looked vaguely period and it was a good excuse to use them up. I placed them on the fabric, but they looked kind of bare.

regency-reticule-roses

I needed some form of leaf or vine to connect them, so I decided to use some sheer sage-green ribbon (purchased as an option for the Birthday Princess Dress but never used), which I sewed on using a couching technique.

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