Making the overskirt was a bit more complicated than I thought it would be, so I put off finishing it until really late.
It started off simple– I extended the length of the original overskirt pattern and cut the pieces a bit larger to allow for some extra fullness in back, just as I did for the underskirt. However, since there were no darts in the front like there were in the underskirt, the shaping was different– once I pulled the waist tight in back, the front pulled unattractively across my stomach, and there seemed to be too much curve at the side seams, keeping them from laying smoothly over the hips. I tweaked the shape a few times, and eventually got it to behave reasonably well.
This issue was compounded by the horror stories I’d heard about working with satin– that it showed every tiny pinhole, that it puckered if you looked at it funny, that sewing machines loved eating it for lunch, and that it was impossible to keep straight while cutting or sewing. Though I managed to avoid most of these issues by flatlining the satin with my cotton voile, I still had to be really careful with pinholes and ripping out seams. Basically, in order to avoid visibly ripped-out seam lines, every alteration I made had to make the skirt progressively smaller as I widened the seam allowance. (sigh… I guess I should’ve done a mockup after all)
Since I was making this outfit as separates, I decided to really maximize the sizing and mix-and-match potential by making the lace underskirt a separate piece as well– two skirts total. This way I can use the underskirt for another outfit somewhere down the road.
I started with a base skirt made of thin ivory cotton, which I based on the original pattern’s underskirt– I just cut it a bit larger in the back and added some small knife pleats to take up the extra fabric at the waist (for ease of size adjustment). I also evened out the waist height to hit at the natural waist in back rather than the artificially raised level of the original, and added a flat waistband. I omitted the hem facings from the pattern because this is an underskirt that’s going to be covered in lace– no one will see a machine-stitched small hem. I hemmed it to fall right at the ankle, figuring that I’d want the lace to fall slightly below that level.
Once I’d finished the bodice (the most complicated part, obviously), I added a 1″ waistband– something I don’t usually do, but I thought it would help add some definition to the shape of the dress and would provide a convenient spot for adding trim later. I basically just cut out three 3″ wide strips of fabric (to provide plenty of seam allowance on both sides with room to trim)– one sheer, two cotton, and flatlined the sheer strip with one of the cotton strips.
I pinned the bottom edge of the bodice to the flatlined strip and basted it together. Then I pinned the remaining cotton strip to the inside of the bodice (to use for interior finishing later), and stitched all layers together at once.
Once the basic black and white dress was done, it was time for embellishment. To make the hearts down the front I cut out some heart-shaped templates from paper and pinned them to the dress to get an idea of the correct sizes. Then I tweaked them until I had the correct size and shape.
Once I had all of my fabrics and sketches I decided to start with what I hoped would be the easiest part of the dress– the white underskirt. I started off by simply cutting off the upper portion of the dress’s bodice, leaving a good 3″ of fabric attached to the skirt to make a waistband.
Next I turned my attention to the inside of the skirt– there was already a nice lining and net petticoat layer, but it wasn’t quite poofy enough. Luckily the lavender bridesmaid dress came with a netting layer that was exactly the same length as the white skirt, so I ruthlessly ripped out, gathered, and stitched it just below the petticoat lining. Presto! Poofy white satin underskirt!
Before I went any further I had to make sure the skirt would be the right length on my daughter, but since she hates to stand still (like any almost-four-year-old) I needed a substitute for fittings.
My daughter recently watched the new live-action Cinderella movie and was immediately enthralled by the costumes (with good reason!). She adores the old Disney animated classic, but when I saw her eyes widen and her jaw drop upon seeing the new version of Cinderella’s ballgown I knew I’d be making one very shortly.
To be fair, I’d already planned out (just for fun) how I’d make one for myself if I ever had occasion to, but making something for a 3-year-old to wear is different. It needs to be comfortable, or she’ll never wear it. It needs to be washable (at least for spot-cleaning), or she’ll ruin it. And it needs to be reasonably cheap, or I’ll never make it. 😉 A tutu dress seemed to fit the bill admirably. It’s easy to make, inexpensive, very comfortable, stretchy so it’s practically one-size-fits-all, and simple to clean or repair if anything happens to it. And since the kidlet’s favorite color is purple I changed the color scheme to ensure she’d actually wear the dress.
So, I’ve finally finished the dress for real! I bought another sheer curtain panel and cut another giant arc out of it to make the front drape, and attached the longer ruffles to the sides as before. This time, though, I tapered the ruffles towards the top to better mimic the lines of the movie dress. Then I stitched it all to the front of the dress, sweeping the ruffles out towards the hem in a slight curve. Since I couldn’t finish the hem of the drape until it was attached and I knew how it would fall, I trimmed it to the right length afterwards and melted the edges with my heat gun instead of trying to sew a hem.
I had to do a little fiddling to get the tentacles attached properly, since I had an extra layer of fabric to contend with and I didn’t want the pull of the tentacle to disturb the draping. I ended up treating the draping layer as if it weren’t there, simply running the thread through it without trying to stitch onto it, and that worked out all right.
I swear, this dress is ridiculously heavy, and if not for the hoop skirt I wouldn’t be able to move at anything above a slow shuffle. As it is, I still walk carefully to avoid jostling the tentacles too much– I don’t want to make any sudden sharp jerks that might put extra tension on the attachment points. Sitting down is also difficult, and going through doorways is something to be undertaken with great caution.
I’m very happy with how it turned out, though– this tentacle design is much better than my original idea, though of course it was a lot more work than I’d anticipated. Everything always is, it seems…