So recently I had the opportunity to spend the weekend at a historic home (now an inn) in Vermont for a Sense and Sensibility-themed event. I’ll be honest, as an event it left something to be desired– there were very few activities and the scheduled sleigh ride was cancelled due to weather– but I did enjoy getting to dress up with all of my gowns and accessories and take photos with some more period-looking furniture than I can find here at home!
Here’s me channeling Mary Bennet while wearing the very first Regency gown I ever made, plus the new day cap.
Here are the velvet capote and fur-trimmed wrap in action!
Here’s the red pashmina dress with the ruffled chemisette:
And just for fun, I finally got photos of my 1882 tea gown in action! (I couldn’t resist putting a painting filter over one of them, though it’s not obvious at first glance)
I think this one below is my favorite…
Admittedly, there are a lot of pictures of me reading books (this one is an antique edition of The Lady of the Lake and there’s a handwritten inscription on the flyleaf dated 1899), but I needed a prop so I could do something other than smile at the camera!
Compared to the pashmina dress, this one was a breeze to put together– a welcome change! Things got a little fiddly when it came to piecing the bodice front– because the diagonal stripes on my fabric were not at a 45-degree angle, it was a little more complicated to mirror them at the center front. Since I had to cut the pieces on a slight bias (both of them, to get the V-shape I wanted), the edges were prone to stretching and wiggling out of place; after trying three times to get the V perfect, I declared that my result was *good enough*.
Given the hassle in matching the V in front, I really didn’t want to have to deal with matching the stripes on multiple pieces for the back to make purely decorative curved back seams. This was particularly true since I was going to have a drawstring back that would mostly obscure those very same seams. I decided to just cut the back pieces as one so I could dispense with the piecing and just worry about matching the diagonal stripes along the center back line.
So remember last year when I was sewing my blue Regency dress, and I said that I already had a Regency ballgown that I’d intended to use for that dance event? Here’s the story: Back when I was in college, I was shopping at JC Penney’s when I came across these beautiful shower curtains that I immediately knew would make a perfect Regency gown. That’s right. Shower curtains = Regency gown. Sounds weird, but hear me out– they were made of ivory netting, embroidered all over with variegated pink roses and green vines, and they were so pretty and antique-y that I knew they’d work.
Of course, back then I didn’t have much experience sewing dresses from scratch, much less dealing with fiddly materials like embroidered net, so I found a seamstress online (Etsy was not a thing back then) and commissioned her to make me a gown based on a sketch I sent along with my fabrics. It turned out nicely, and I spent the next several weeks snipping out embroidered roses from the remaining fabric scraps and applique-ing them onto the gown with hand-embroidered vines to make it more embellished. The finished product was really beautiful. It always reminded me of Anne Shirley’s dress from Anne of the Island:
She had a particularly pretty gown on. Originally it had been only a simple little slip of cream silk with a chiffon overdress. But Phil had insisted on taking it home with her in the Christmas holidays and embroidering tiny rosebuds all over the chiffon. Phil’s fingers were deft, and the result was a dress which was the envy of every Redmond girl. Even Allie Boone, whose frocks came from Paris, was wont to look with longing eyes on that rosebud concoction as Anne trailed up the main staircase at Redmond in it.
Just wanted to give you guys a look at the new outfit in all its glory! I took these photos at the Commonwealth Vintage Dancers’ Regency Dance Weekend, which culminates in a Grand Ball. The hall provided such a nice backdrop for the rich fabric of the dress– I’m very happy with it!
And then I stumbled upon a fabulous sofa that was crying out to be posed upon…
This is totally my new favorite picture of myself in Regency-wear!
I’m taking a quick break from the Embassy ballgown to post about another project I recently started– a Regency ballgown that I’m going to wear to a dance weekend at the beginning of April. While I do plan on wearing my burgundy dupatta open robe for the first night, I’m ready to make something new for the Grand Ball the next evening!
I do love beautiful textiles. Even when I was a kid I’d go to fabric/craft stores and buy beautiful ribbon by the quarter-yard just to have it, not necessarily to make anything with it (yeah, the people at the cutting counter just *loved* me, I’m sure). And some of the most beautiful fabrics in the world are Indian saris, at least in my humble opinion. I was on a sari-buying kick a while back, figuring that I’d use them to make Edwardian or Regency gowns, and while I’ve managed to use a cotton sari and a silk dupatta, the rest have languished in my closet for far too long.
But no more! For this project I’m going to use a gorgeous navy blue and gold sari– it has a fabulous pallu that’s not only brocaded, but also embroidered with bullion thread and sewn with tiny pearl beads. It’s just begging to be shown off at a fancy event!
Okay, so you’ve seen so far that I’ve made three dresses based on Simplicity 4055, which is the commercial version of Jennie Chancey’s Regency gown pattern from sensibility.com.** As you can tell, I’ve made a lot of adjustments to the pattern, mostly the bodice, to get it to work for me. I thought I’d detail them here so you can see how it was done. I’m not talking about basic stuff like lowering the neckline (by about an inch, otherwise it’s too high for most looks) or lengthening the bust to allow for any size over an A-cup (there are instructions available for that on Ms. Chancey’s website)— I’m talking about some structural changes for more period-accurate details.
Forgive my clumsy graphics– I’m not great at tracing things out using a laptop trackpad!
I admit it, I’ve been bitten by the Regency costuming bug. It’s just such an easy period to sew for, and there actually seem to be enough places to wear the results, that I can’t help myself. For my excuse to make this one I told myself that I was planning a costumed picnic for this summer, and that I would need something new either to wear myself or lend to someone else for the event. Makes sense, right?
Anyway, I considered breaking up this post into several installments, as I have with other dressmaking projects, but honestly the dress went together in a single weekend– it was that easy– so it hardly seemed fair to make you all wait for longer than that to see how it turned out! I’ll just put in headings for organization…
Part of this project is driven by fabric– I found a lovely vintage cotton sari on eBay that I was dying to use, especially once I diagrammed out how I could make best use of the border print. Sari fabric is actually a very period fabric for Regency dresses, as the British colonies in India were regularly supplying it for use in England.
The sari itself is extremely thin and delicate– it looks like a cotton gauze, and it’s so light and airy that it’s basically transparent. I hand-washed it so it wouldn’t get messed up in our washing machine, and let it air-dry in the sun before ironing it to get it ready for use.
It has a wide border down one side and a narrow border down the other, with a double-wide border on one end (the “pallu”).