Dragonfly Skirt Suit, Part III: Lilypad Fascinator

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To make my lilypad-shaped fascinator, I started off by picking out a remnant of celery-green fabric from my stash– it’s satin on one side and dupioni-ish on the other, and I’d originally bought it to line my Regency ribbon-rose reticule. I thought it would coordinate well with my suit– however, once I actually got it out it was clearly too pale a green to stand out next to the bright turquoise suit. I decided to try dyeing it with Jacquard Dye-Na-Flow, which is my go-to for tiny dye jobs like this since it works on both natural and synthetic fibers.

I did a few test swatches and ended up using a combination of Turquoise and Chartreuse in a 3:1 ratio. Because my fabric was super-non-absorbent (seriously, water and dye just beaded up on its surface) I had to soak it in water for a good long time to get it wet, and then painted the undiluted dye directly onto the dampened fabric. The dye still wouldn’t spread naturally, so I ended up rubbing dyed parts of the fabric onto the un-dyed parts to get it to distribute evenly. It was a hassle, but the finished shade was a nice springy green.

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My Fair Lady Ballgown, Part IX: HAIR!

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(Yes, I realize it’s been ages since I posted about this outfit, but I needed to get photos back to complete these posts! Forgive me?)

That’s right, today we’re talking about HAIR. Not just “hair,” but HAIR. Seriously, it’s deserving of all caps in this context. After all, you didn’t think I’d go to an event decked out in this gloriously glittery gown without correspondingly fabulous hair, did you? Of course not– you know me better than that!

So yes, Audrey Hepburn had some seriously gigantic hair in the Embassy Ball scenes– obviously not Edwardian in style, but hey, filmmakers in the in the sixties loved the gargantuan updos, so who am I to quibble when it comes to making the ensemble recognizable? Let’s take a closer look at it, shall we?

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