So to go with my 1915 picnic dress, I needed a hat to shade my delicate complexion from the sun (or something like that). I tried using my flowered Edwardian hat but it seemed too elaborate for the relatively casual dress, so I went looking for something new.
Since it’s summer there are plenty of straw hats available, but most of them are pretty floppy and that wasn’t what I was going for. I thought I’d start with something more boater-shaped, but apparently I was cutting it a bit close time-wise because most of the cheap boater options online had a 2-3 week shipping time, which was too late for my upcoming picnic.
I ended up with a costume gondolier hat, which is coarser straw than I would’ve liked, but it looked about right. Many purchasers complained that the crown was too shallow and the head circumference was too big, making it sit oddly on the head, but one reviewer (a woman after my own heart) noted that it was perfect for puffy Victorian/Edwardian hairstyles, which I thought made it worth a try.
The first thing I did to try to make the glass-and-metal house look more natural was to add a stone floor. Not a real stone floor, of course (though I did briefly consider trying to find some pebbles and mortar), but an amazingly realistic faux-stone floor made of a material I never would have thought of on my own… egg cartons.
Cardboard egg cartons are really perfect for this application– they’re smooth on the front, but the back side has a great texture to mimic stone, and they’re already this grayish-brownish color that works really well, particularly once coated in glue. Apparently miniature artists use egg cartons (and those cardboard coffee-cup holders that hold multiple cups at once, they have an even more textured surface) all the time to make faux stone surfaces, and I can see why!
As I said in my earlier post, I had just finished the sequined swags on the sides of the gown (which took a few tweaks to get right), and was about to start embellishing the center panel when I realized that I had a problem. While some of the movie stills quite clearly show that the center panel is covered in sequins, other shots make it look like there are far fewer sequins, and still others imply that any sequins aren’t really that prominent at all.
Here, there are tons of sequins visible, all looking the same color silver as the side swags:
As I mentioned earlier, the original gown appears to be sewn all over with beads and silver sequins– while I briefly considered doing the same, I knew it would take absolutely FOREVER and I really didn’t want to deal with the time and effort involved. Instead, I decided to use glue to attach silver sequins to the dress.
As previously noted, I purchased six thousand 4mm flat silver sequins for this dress. You can see in the photographs that the sequins are concentrated around the lines of trim on the side sections, and are basically everywhere in the center section, so I figured I’d need a lot of them.
Taking the advice in this tutorial (excellent tips, by the way), I bought Gem-Tac glue to attach my sequins and rhinestones, and made myself a big cardboard backing to use as a base for attaching things. I covered it in parchment paper and used binder clips (cushioned with paper towel to prevent snagging or creasing) to clip the edges of my fabric to it.
I started off titling this post just “Ninja Mobile,” but that kept making me picture a ninjamobile– a car filled with ninjas who would drive around and pick fights with bystanders– so I felt the need to clarify.
This crib mobile is a gift for a friend’s baby shower, and is actually the second mobile I’ve made– the first featured corgis and sheep, and I was inspired to make it after paying far too much for an Etsy seller to make a mobile for my own daughter’s nursery. Making your own mobile is easy, though of course you can always complicate matters (at least I can) by planning fancy details.
Basically, the mobile is made of a wooden embroidery hoop, from which you hang various felt ornaments– in this case, ninjas. Then you cover the hoop in felt and hang it from the ceiling. Simple, right?
Going to Anime Boston this year reminded me that I haven’t told you all about my hat project. THE hat project. The big one. The mother of all projects. The project that spanned years, involved international commerce, and still has remnants floating around my house. And it all started with a single hat. Or, the lack of one.
A few years back, as the steampunk trend was just on the upswing, I decided to make myself a steampunk costume for Anime Boston. It would have a tweed skirt, a brocade bustier, some interesting leather doodads and brass thingies, and of course a miniature top hat. The problem was, I couldn’t find a hat that I liked– the pre-decorated ones were insanely expensive and the craft-store felt ones were really cheap looking, being more like flocked plastic than real felt and too small for what I had in mind. I did try to place an order for the largest available cheap felt hat from an online supply store, but they were out of stock. That, I think, was the turning point in the whole endeavor, because I had to think outside of the box. (why I didn’t just make a hat out of cardboard and cover it in fabric, I have no idea…)
As you know, if you do an in-depth search for an item on eBay the regular results eventually give way to hits for overseas wholesalers who will sell you bulk quantities of said item. While I personally had no need for huge numbers of tiny hats, it occurred to me that if I was having a problem locating a reasonably priced, decent-quality mini top hat, other people might be having the same problem. Pretty soon I had an email conversation going with a hat company in China that could ship me 150 black felt mini top hats for what worked out to be just under $4.00 a hat, including shipping (which was the most expensive part).
Sparing you the logistics, eventually I ended up with two giant cardboard boxes of hats and about 3 months in which to prepare them for sale at an Artist’s Alley table at Anime Boston.
I was trying to figure out fun poses for pictures in the Ursula/Vanessa dress, and decided to make an extra prop to use– the butterfly sphere.
Okay, so maybe you don’t instantly recognize the reference, but in the movie, when Ursula decides to “take matters into her own tentacles” and transform into Vanessa, one of the things she puts into her transformation potion is a bubble with a live butterfly in it.
I remembered that I already had some clear glass Christmas ornaments, and thought they’d be perfect for this application. At first I tried to use a 3″ feather butterfly that I had in my craft closet, but the wings were too rigid and it fell apart as I tried to cram it into the top opening. Instead, I decided to use some gold paper to make one. I cut two butterfly shapes and sandwiched some thin wire between them, first taping it down and then gluing the butterflies together, right sides out. Then I took some gold and brown paint and did a little texturing on the paper to make the butterfly look slightly more realistic. It still looks a little clunky, but it’s close enough.
I rolled the wings up and inserted the wired butterfly into the glass ornament, then used my fingers and a chopstick to unroll the wings. I ran the wire through the holes in the top of the ornament cap and twisted it to keep things securely in place. I also piped on some hot glue as extra insurance..
I turned the whole thing upside down and presto– instant butterfly bubble!
Stay tuned for photos from the convention!