So now that things have settled down a bit, I wanted to do a post about Costume College this year! As you may recall, I had a great time last year, so I’ve been excited to go back! You’ve already seen the making-of posts for the costumes I wore, and my favorite shots of the beetlewing gown, but here’s a summary of the rest of the weekend!
Before even arriving at the conference hotel, we stopped by the Fashion District to shop– and when I say “stopped by,” I mean “shopped for five hours straight.” I ended up with 17 yards of fabric, plus assorted other items, that (with luck) will be showing up in future posts!
So I got the chance to wear the entire Bar Suit outfit at CostumeCon 37– I figured that my fellow costumers, if no one else, would immediately get the reference to the original suit and appreciate the joke. And I was right!
Here are some of the fun photos we got of the outfit– I love costumes I can have a good time with!
Okay, so clearly I needed a bit more attitude in my hip position to really mimic the model’s pose, but otherwise I think it’s a pretty decent shot!
Next up was the hat. The original hat (or a least one of the original hats shown in photos– there appear to be a few) was an almost lampshade-shaped straw hat:
Tough to find, particularly in winter, and hats can be expensive in vintage shops. Luckily, I found something very similar in the costume section on Ebay! It’s called a “coolie” hat (which I find kind of racist, for what it’s worth) and the photo was pretty close in terms of shape.
Of course, when it arrived it was a lot flimsier than the original hat looked to be, plus being more conical with a less defined crown. I decided to add some wire around the brim to stiffen it up– I unpicked the stitches holding the straw edge binding, then cut off about 3/4″ all around the edge (it was just a bit too big for my taste) before stitching some thick brass wire around the underside and reattaching the binding with hot glue.
To go with the “Bar” suit, I needed some bar-themed accessories that were in keeping with the overall look (so no shot-glass necklaces or coaster epaulettes).
I started with the handbag, which began life as an acrylic purse shaped like a perfume bottle.
It’s also shaped almost exactly like a bottle of Disaronno liqueur, so I decided to replace the “Paris” label with a faux Disaronno label to keep with the “bar” theme.
I took an image of the label and tweaked it to the proper dimensions (2.5″ wide x 2″ tall, in case you wanted to know), then printed it out onto ivory cardstock before filling in a few bits of color with a red pen.
With the skirt done it was time to start the jacket. I’d originally intended to modify a modern jacket by adding curvier seams, but then I found a vintage jacket on eBay that looked perfect:
It had a nice hourglassy shape, what looked like generous hips (insert ominous music here), and it was the right color. Hoping that it would fit better or at least be easier to modify than a modern, boxier jacket, I bought it.
However, when it arrived it didn’t fit me very well– the torso was too long, making the bust section buckle unattractively, and the sleeves were too wide, which also made the armscye too low to allow for much arm movement. Overall I think it was probably made for a taller, larger-framed person (except the waist– I guess this means I don’t have the correct proportions for the look), so it needed some alteration. Spoiler: It ended up needing A LOT of alteration!
I started with the skirt, since I can’t get to work on the jacket until I know what I’ll be wearing it over.
Like I said, I’m using this fabric, and purchased three yards of it to ensure I had plenty to work with:
I did a little measuring and determined that I could cut three panels of the fabric (44″ wide from selvedge to selvedge) for a total skirt width of 132″– nice and full so it’ll have plenty of volume. Before doing that I cut off a piece about 1/2 yard wide to make my waistband and pockets (pockets are great!) out of. For the record, I’m 5’6″ and this made for a nice skirt length with a 2 1/2″ hem.
So I’m going to start off by warning you that this is not really a recreation of the iconic Dior Bar Suit— it’s more of a tongue-in-cheek version that I’m throwing together for fun. It may have the general look, but the details are purely for my own amusement.
I really do love the whole “new look” that came out after WWI– it’s so fluffy and fun and suits my body type much better than the long, lean looks of the first half of the 20th century. So I figured I’d have a good time making this outfit, which I’m hoping will be recognizable to my costuming friends at the various events I’ve got going this year.
It’s from Northcott’s “Happy Hour” collection (“bar” suit, get it?) and I thought it would make a great base for the black skirt. From there the whole idea came together fairly easily.
I’m going to have a full skirt made of the Happy Hour fabric, and a plain ivory jacket up top with some kind of novelty buttons down the front. I have high hopes for the hat I’m planning– straw, like the one in the 1957 photo above– and I found a perfect purse, but I’ll save that for another post.