So now that things have settled down a bit, I wanted to do a post about Costume College this year! As you may recall, I had a great time last year, so I’ve been excited to go back! You’ve already seen the making-of posts for the costumes I wore, and my favorite shots of the beetlewing gown, but here’s a summary of the rest of the weekend!
Before even arriving at the conference hotel, we stopped by the Fashion District to shop– and when I say “stopped by,” I mean “shopped for five hours straight.” I ended up with 17 yards of fabric, plus assorted other items, that (with luck) will be showing up in future posts!
I had a great time wearing this whole ensemble to the Costume College gala this year– it didn’t fit the theme (“The Opulent Streets of Venice”), but it was indisputably the most fabulous of my costumes, so I had to wear it!
We took a bunch of photos all around the hotel, but it was tough to find just the right dramatic background…
But then darkness fell, and the hotel lit up their outdoor fountain with FIRE! I started off just posing near it, even going so far as to step up against the wall (taking care to keep my long sleeves and wig well away from the flames):
But by the end of the night I’d decided to literally take the plunge, stepping into the fountain itself to get some fabulous photos!
The water in the center was actually a lot deeper than I’d expected– about knee-deep– so my dress got pretty soaked! I wrung it out afterwards before going back up to my room to blot it with towels before turning the hair dryer on it so it would dry out enough to completely dry by morning.
I’m kind of kicking myself, though, because I neglected to remember that the Sargent painting portrays Ellen Terry slightly turned away from the viewer, rather than head-on the way I posed in the photos above. I only have a single photo of me in that position, and I wasn’t careful enough with the placement of my arms!
I’m definitely going to have to put on the outfit again to get better full-length photos at some point. I may even, as I mentioned in my belt post, re-do the belt someday to make the links smaller the way they are in real life. But that may have to wait until next year’s Costume College!
The final touch for this costume was the crown, which Lady Macbeth is shown raising above her head in the Sargent painting.
That being said, the internet assures me that 1) this was supposed to be King Duncan’s crown, not hers, and 2) she never actually struck this pose in any of her performances of the play. But it’s still the most recognizable pose, so I had to make a crown to carry– and also to wear, since I wasn’t about to just carry it around all night.
Since I am not experienced in metalwork, I had three options: First, have a metal crown custom-made for me. That seemed awfully expensive for a prop. Second, make a fake metal crown out of craft foam and gold paint. That was definitely something I considered, but ultimately I wanted it to look really shiny and polished both inside and out, and I wasn’t confident I could do that in the time allotted. So I went with my last option, which was to find a reasonably decent-looking crown online and go with it.
The theme for the Costume College afternoon tea this year is “The Haunted Mansion,” and I wanted something appropriately spooky to wear– but it couldn’t be too involved, since I already had tons of other work to do on my other costumes. After some brainstorming I decided to make a Victorian-ish black outfit with skeleton accents– in this case, a skeleton cameo brooch and a skeleton bodysuit worn under a sheer blouse, so the bones would (subtly) show through.
The brooch, blouse, and bodysuit were easily obtained, but I knew I needed a long, black skirt to complete the look. I considered finding a sheer black skirt to complete the “ghost” concept, but ultimately discarded that idea in favor of something more versatile– a black moiré skirt that I could re-use for other Victorian/early Edwardian ensembles.
I already had the perfect pattern in my stash– Truly Victorian 297, an 1898 flared skirt. I’d used it once before to make a tweed skirt for a steampunk outfit, so knew it was easy to put together.
In case you hadn’t noticed, my recent spate of costume posts was inspired by my upcoming trip to Costume College this year. I went this past weekend and it was fabulous! Also, my daughter sent her Cat-icorn (above) with me to keep me and my tiaras company.
These are totally my people– detail-obsessed lovers of gorgeous and/or hilarious outfits, willing to discuss the intricacies of fabric design or corsetry at the drop of a hat, and always appreciative of the work we all put into these things! I can’t wait to go back next year!
I did take a few photos of randomly beautiful costumes, but not nearly as many as I should have. Also, I was wearing gloves for two of the big events and it’s a lot harder to manage taking pictures with my phone that way. Next year, fewer gloves = more pictures!
Many years ago I was obsessed with this dress by Luly Yang Couture:
I thought it was fabulous, I desperately wanted it, and I went so far as to custom-paint panels of yellow chiffon with diluted fabric paint (stretched over custom canvas stretchers) to match the butterfly-wing skirt panels so I could make one myself. But I never finished it, and I never had any place to wear it anyway, so it languished in the back of my closet, stuffed into a paper grocery bag with my other unfinished projects. And now, of course, replica dresses are available online and Spoonflower is a thing (and has basically the exact design available that I’d have wanted) so I wouldn’t have to hand-paint the fabric anyway. But I still have no place to wear it…
About four years ago I dug it out to use in a Halloween costume, stitching the panels to a red crinoline and painting a black bustier top with a hasty orange/yellow/gold design to tie in the colors and be a butterfly fairy. And then it went back in the closet.
However, when it was announced that the Costume College 2018 pool party theme would be “Realm of the Goblin King” it was clear to me that it was time to revive the costume, at least to give the fabulous skirt another outing. But the bodice would have to be re-done, because my quickie paint job was looking pretty amateurish in the harsh light of day.
As I mentioned earlier, the inspiration for this suit came from these dragonfly hair clips, which I found on eBay. I think they look pretty awesome as-is, but one thing I wanted to change was the transparency of the wings– with the exception of some printed veins they’re completely clear, making them almost invisible from most angles.
I decided to get some iridescent paint to add just a bit more dimension to the wings. I used two thin layers of diluted shimmery white paint– Art Deco Dazzling Metallics White Pearl— to make them slightly more opaque. The paint got a little streaky, to my dismay, but I really didn’t have the time or the inclination to figure out how to fix it, so I left them as-is. I’m going to clip one to my suit lapel and create thread loops to clip the other to my chest.