So like I said earlier, I wanted to take full advantage of the beautiful embroidered sections of the sari when constructing my gown. As you’ll read below, this had its ups and downs…
First I removed the pallu of the sari (I admit I cringed at the first cut of the shears– what if I screwed it up?) and cut it lengthwise to make two even panels. I immediately ran a zig-zag stitch along the cut edges to prevent fraying. (I actually did this every time I cut an edge that wouldn’t be encased in fabric) The panels aren’t exactly the same– the design is upside-down on one piece because the pallu wasn’t vertically symmetrical, so when I flipped the top half over to act as the hem it didn’t quite match. I figure no one will notice, since that part will be down near my ankles anyway.
I made an underskirt out of dark blue cotton voile, making it only as wide as the pallu pieces at the bottom. I tapered the front panel slightly, but cut the back panel as a rectangle so I could do some– but not too much– pleating in the back. The goal was to reduce bulk at the waistline, but I needed at least *some* pleating in back so both layers of the skirt would fall into nice folds.
For the front panel of the overskirt I cut two 34″ skirt pieces from the part of the sari directly above the pallu– like I did with the cotton Regency sari gown, I wanted to use the side borders to form a double-width embellishment down the center front of the skirt. (Well, almost double-width– I decided it looked better if I omitted the border edges down the center) Additionally, the borders on this portion of the sari weren’t just brocade, they were also embellished with beads, so I wanted them front and center.* Once they were cut out I stitched them together to form a trapezoidal front skirt panel, and attached another long piece of border to the straight bottom edge. This would prove to be a mistake.
When I made my first Regency dress, I wasn’t sure if I’d be sticking with the period for costuming so I didn’t bother making the necessary underpinnings. As a result, my outfit was nice but didn’t have the little details that make an outfit look really right. Now that I’ve really gotten into the sewing, however, I need to build the outfit from the inside out.
I have a mostly irrational fear of making structured/tailored garments, so I found an Etsy seller (Beth is awesome!) to make me a set of short stays– they turned out quite well, and I saved a little money by agreeing to hand-sew the thread eyelets myself. In the process, I learned how to do buttonhole stitch, so that was an added bonus!
But of course, once I had the stays I needed a shift to wear underneath them– not only to keep them clean, but also to keep things… er… contained up top. I picked up 3 yards of bleached fine muslin at the fabric store (not as nice as my sheer cotton voile, but much cheaper and probably sturdier), and got to work.
I’m taking a quick break from the Embassy ballgown to post about another project I recently started– a Regency ballgown that I’m going to wear to a dance weekend at the beginning of April. While I do plan on wearing my burgundy dupatta open robe for the first night, I’m ready to make something new for the Grand Ball the next evening!
I do love beautiful textiles. Even when I was a kid I’d go to fabric/craft stores and buy beautiful ribbon by the quarter-yard just to have it, not necessarily to make anything with it (yeah, the people at the cutting counter just *loved* me, I’m sure). And some of the most beautiful fabrics in the world are Indian saris, at least in my humble opinion. I was on a sari-buying kick a while back, figuring that I’d use them to make Edwardian or Regency gowns, and while I’ve managed to use a cotton sari and a silk dupatta, the rest have languished in my closet for far too long.
But no more! For this project I’m going to use a gorgeous navy blue and gold sari– it has a fabulous pallu that’s not only brocaded, but also embroidered with bullion thread and sewn with tiny pearl beads. It’s just begging to be shown off at a fancy event!