To go with my fur-trimmed wrap I needed a hat to wear outside. Unlike all of my other bonnets, however (which are made of straw), this one needed to be winter-appropriate, so I took out my extra velvet fabric and got started.
I picked up a basic cloth-covered sun-hat at Goodwill (brand new, tags still on!), mostly to use its nice, wide brim.
I wanted the brim to frame my face without being too sunbonnet-y, and I wanted to have a nice big crown with room for a nice hairstyle that wouldn’t get squished. Something like this (apparently it’s called a capote):
I also really like the ruching on this bonnet from the 1995 Pride and Prejudice:
In case you hadn’t noticed, my recent spate of costume posts was inspired by my upcoming trip to Costume College this year. I went this past weekend and it was fabulous! Also, my daughter sent her Cat-icorn (above) with me to keep me and my tiaras company.
These are totally my people– detail-obsessed lovers of gorgeous and/or hilarious outfits, willing to discuss the intricacies of fabric design or corsetry at the drop of a hat, and always appreciative of the work we all put into these things! I can’t wait to go back next year!
I did take a few photos of randomly beautiful costumes, but not nearly as many as I should have. Also, I was wearing gloves for two of the big events and it’s a lot harder to manage taking pictures with my phone that way. Next year, fewer gloves = more pictures!
To make my lilypad-shaped fascinator, I started off by picking out a remnant of celery-green fabric from my stash– it’s satin on one side and dupioni-ish on the other, and I’d originally bought it to line my Regency ribbon-rose reticule. I thought it would coordinate well with my suit– however, once I actually got it out it was clearly too pale a green to stand out next to the bright turquoise suit. I decided to try dyeing it with Jacquard Dye-Na-Flow, which is my go-to for tiny dye jobs like this since it works on both natural and synthetic fibers.
I did a few test swatches and ended up using a combination of Turquoise and Chartreuse in a 3:1 ratio. Because my fabric was super-non-absorbent (seriously, water and dye just beaded up on its surface) I had to soak it in water for a good long time to get it wet, and then painted the undiluted dye directly onto the dampened fabric. The dye still wouldn’t spread naturally, so I ended up rubbing dyed parts of the fabric onto the un-dyed parts to get it to distribute evenly. It was a hassle, but the finished shade was a nice springy green.
So to go with my 1915 picnic dress, I needed a hat to shade my delicate complexion from the sun (or something like that). I tried using my flowered Edwardian hat but it seemed too elaborate for the relatively casual dress, so I went looking for something new.
Since it’s summer there are plenty of straw hats available, but most of them are pretty floppy and that wasn’t what I was going for. I thought I’d start with something more boater-shaped, but apparently I was cutting it a bit close time-wise because most of the cheap boater options online had a 2-3 week shipping time, which was too late for my upcoming picnic.
I ended up with a costume gondolier hat, which is coarser straw than I would’ve liked, but it looked about right. Many purchasers complained that the crown was too shallow and the head circumference was too big, making it sit oddly on the head, but one reviewer (a woman after my own heart) noted that it was perfect for puffy Victorian/Edwardian hairstyles, which I thought made it worth a try.