For her third and final Disney dress, my daughter picked Mulan.
I again started off with a solid yellow dress from Primary.com, and decided to make a top to go over it.
After Elena of Avalor, the next princess my daughter was dying to be was her sister, Isabel.
This one was the easiest of the three dresses– I just found a basic blue dress with puffed sleeves and ruffles (sadly, Primary.com didn’t have anything that worked, so I had to get it on Amazon), and used some gold fabric paint to make the gold trim on the bodice and the swirls on the ruffled parts.
Our family is going to Disneyworld this fall, and my daughter is (of course) really excited about it. Not just the rides and attractions, but the prospect of meeting Disney princesses. When we first booked the tickets, in a fit of recklessness I promised to make her some princess dresses to wear to the park, so here we are. These aren’t going to be full costume-quality dresses– rather, they’re going to be soft and comfortable knit dresses she can play all day in, with some nods to the princess style.
Her very favorite princess right now is Elena of Avalor, so it was a given that one of her dresses would be Elena’s.
My daughter is going to be a flower girl in my brother’s upcoming wedding– she’s extremely excited about it, of course! We decided that aside from the dress (which is huge and made of yards and yards of ivory tulle), what she really needed was a wreath of flowers for her hair. Because hey, flower girls need flowers, right?
(Yes, I realize it’s been ages since I posted about this outfit, but I needed to get photos back to complete these posts! Forgive me?)
That’s right, today we’re talking about HAIR. Not just “hair,” but HAIR. Seriously, it’s deserving of all caps in this context. After all, you didn’t think I’d go to an event decked out in this gloriously glittery gown without correspondingly fabulous hair, did you? Of course not– you know me better than that!
So yes, Audrey Hepburn had some seriously gigantic hair in the Embassy Ball scenes– obviously not Edwardian in style, but hey, filmmakers in the in the sixties loved the gargantuan updos, so who am I to quibble when it comes to making the ensemble recognizable? Let’s take a closer look at it, shall we?
Once the main dress was done, I made a set of detached sleeve-puff thingies to wear on my arms. I bought some black satin and stitched it in stripes with the extra red satin from the back side of the shawl. Once I had two long striped pieces, I cut out some equally long but much narrower pieces of red cotton and attached them to the striped sections as a lining.
The inner layer being narrower than the outer layer allowed the striped layer to puff out a bit along the vertical axis. Then I sewed narrow channels into the top and bottom edges and ran elastic through them, which gathered the sleeves horizontally into nice puffs that would stay up on my arms. I did have to stuff the puffs with fabric scraps to give them body– otherwise they were a bit droopy. Next time I’ll take the time to find some netting to do the stuffing– it would hold its shape better.
I finished off the costume with a tiara from eBay and a pair of black satin gloves. Hint: do not balance your tiara on your head just to see how it will look, then forget it’s not pinned on and bend over to look at something– it will fall off, clang on the floor, and lose half a dozen tiny rhinestones which you will then have to locate and glue back in. (sigh)
Stay tuned for pictures of the finished costume!
Once the basic black and white dress was done, it was time for embellishment. To make the hearts down the front I cut out some heart-shaped templates from paper and pinned them to the dress to get an idea of the correct sizes. Then I tweaked them until I had the correct size and shape.