One problem with the glass walls of the fairy house is that they really don’t provide much purchase for mounting things like curtains, shelves, or other things. Not only that, but anything you do use to mount stuff will show through the glass from the outside, which is never pretty. To combat this (and to fill in some of the bareness of the walls), I decided to add a tree to the inside. The branches “grow” along the walls and provide both cover and a place to hang things from, and the leaves make the whole thing look cozier and less stark.
The first thing I did to try to make the glass-and-metal house look more natural was to add a stone floor. Not a real stone floor, of course (though I did briefly consider trying to find some pebbles and mortar), but an amazingly realistic faux-stone floor made of a material I never would have thought of on my own… egg cartons.
Cardboard egg cartons are really perfect for this application– they’re smooth on the front, but the back side has a great texture to mimic stone, and they’re already this grayish-brownish color that works really well, particularly once coated in glue. Apparently miniature artists use egg cartons (and those cardboard coffee-cup holders that hold multiple cups at once, they have an even more textured surface) all the time to make faux stone surfaces, and I can see why!
Several months back, I was out shopping and happened upon this beautiful little glass… thing.
I couldn’t tell exactly what it was– was it a terrarium? A dome-type thing meant to go over a planter? A lantern? All I knew was that it had a roof, a window, and would make a perfect fairy house.
When I was a kid I was always making and drawing tiny fairy scenes– I would try to construct furniture out of leaves, make dishes out of acorn caps, etc. (I will say that it was a lot easier to draw things like that than to make them in real life) Once, I got inspired by a line in Hans Christian Andersen’s “Thumbelina”…
She was scarcely half as long as a thumb, and they gave her the name of “Thumbelina,” or Tiny, because she was so small. A walnut-shell, elegantly polished, served her for a cradle; her bed was formed of blue violet-leaves, with a rose-leaf for a counterpane.
… and I made my own tiny bed out of a walnut shell and some pieces of blue and pink fabric to substitute in for flower petals. It’s safe to say that I was pretty “into” the whole tiny-fairy-furniture thing.
My daughter is going to be a flower girl in my brother’s upcoming wedding– she’s extremely excited about it, of course! We decided that aside from the dress (which is huge and made of yards and yards of ivory tulle), what she really needed was a wreath of flowers for her hair. Because hey, flower girls need flowers, right?
After finishing the body of the dress, I still had to decide on the floral embellishments at the hip and shoulder. My Etsy ribbon-flower appliques did indeed arrive in time, but they were kind of boring-looking– too pale, not enough color to them. Besides which, when I pinned them to the dress they looked a little off– too fancy compared to the simple fabric.
I decided to go in a different direction, making ribbon flowers out of ombre-dyed taffeta ribbon. And because I can never take the easy route to things like this, I decided to dye my own ivory ribbon rather than buy it pre-colored.
(Yes, I realize it’s been ages since I posted about this outfit, but I needed to get photos back to complete these posts! Forgive me?)
That’s right, today we’re talking about HAIR. Not just “hair,” but HAIR. Seriously, it’s deserving of all caps in this context. After all, you didn’t think I’d go to an event decked out in this gloriously glittery gown without correspondingly fabulous hair, did you? Of course not– you know me better than that!
So yes, Audrey Hepburn had some seriously gigantic hair in the Embassy Ball scenes– obviously not Edwardian in style, but hey, filmmakers in the in the sixties loved the gargantuan updos, so who am I to quibble when it comes to making the ensemble recognizable? Let’s take a closer look at it, shall we?
So, time for the finishing touches! You can see in the photo below that in the center panel there’s an arc of large silver sequins just above the floral appliqué around knee level.
I bought 10mm silver paillettes to attach to the dress– I only needed 20 paillettes for that section, but then I realized for the first time that the dress actually had more paillettes around the hem! Good thing they came in a package of 200…
So, not only are there swags of embroidered trim near the hem, but there also appears to be a row of silver paillettes following the lines of that trim with short line segments connecting the two. It’s really only obvious in this one photo, so it’s no wonder I missed it on my initial viewing:
See the little gray dots following the lines of white trim? Clearly paillettes. However, I can’t tell what the faint white lines are– it’s possible that, like the sleeve and neckline detail, they are embroidered lines of thread with clear sequin “leaves” on either side.