For her third and final Disney dress, my daughter picked Mulan.
I again started off with a solid yellow dress from Primary.com, and decided to make a top to go over it.
After Elena of Avalor, the next princess my daughter was dying to be was her sister, Isabel.
This one was the easiest of the three dresses– I just found a basic blue dress with puffed sleeves and ruffles (sadly, Primary.com didn’t have anything that worked, so I had to get it on Amazon), and used some gold fabric paint to make the gold trim on the bodice and the swirls on the ruffled parts.
Now that the outfit is done, I figured I could take some time to provide resources for any other would-be Eliza Doolittles!
I will note that I wasn’t able to make my dress exactly screen-accurate– I didn’t locate all of my reference images until I’d already done some of the work, and it wasn’t worth it to me to re-do things like the embroidery on the center skirt panel to get it exactly right. I did, however, try to reproduce the original as best I could under the circumstances. For what it’s worth, the dress has about 7,000 individually-applied sequins and rhinestones, so you’d better be up for a lot of handwork!
Here’s what I used to make the dress:
Bias-cut ivory gown (purchased)
4 yards ivory English net, 56″ wide
3 yards clear beaded teardrop fringe
At least 8 yards of 1/2″ wide ivory floral trim
4 yards 1 1/2″ wide scalloped ivory trim
5 yards 1″ wide ivory trim
2 yards each of 2.9cm and 3.2cm round floral trim to make round appliques.
1440 ss10 rhinestones, 1440 ss20 rhinestones, 288 ss30 rhinestones, 144 ss50 rhinestones, all in clear flatback (no AB, no hot-fix) (I had a ton left over, especially of the ss30 and ss50 sizes, but these quantities were pretty inexpensive from this seller so it’s better to have too many than too few!)
So, final notes and tips:
And of course, if anyone needs help with laying out embellishments or figuring out how best to drape the dress, feel free to comment on this post and I’ll try to respond! Good luck!
I can’t believe that I’m finally done with this project! I’ve been wanting to make this gown for so long that it’s just amazing to see the finished product and know all the work that went into it– I think the last time I was this thrilled with a costume gown was my very first foray into costuming, when I made a noblewoman’s outfit for the Renaissance Faire as a high school sophomore. (That dress had tons of hand-beading as well, so maybe it’s the sense of accomplishment after doing hours of detailing work?)
Anyway, here are some photos taken the talented DROO Photographer, at the convention I attended (sadly, the sparkles really don’t come through in photos the way they do in real life):
And all of the links to the progress posts:
(Yes, I realize it’s been ages since I posted about this outfit, but I needed to get photos back to complete these posts! Forgive me?)
That’s right, today we’re talking about HAIR. Not just “hair,” but HAIR. Seriously, it’s deserving of all caps in this context. After all, you didn’t think I’d go to an event decked out in this gloriously glittery gown without correspondingly fabulous hair, did you? Of course not– you know me better than that!
So yes, Audrey Hepburn had some seriously gigantic hair in the Embassy Ball scenes– obviously not Edwardian in style, but hey, filmmakers in the in the sixties loved the gargantuan updos, so who am I to quibble when it comes to making the ensemble recognizable? Let’s take a closer look at it, shall we?
So, time for the finishing touches! You can see in the photo below that in the center panel there’s an arc of large silver sequins just above the floral appliqué around knee level.
I bought 10mm silver paillettes to attach to the dress– I only needed 20 paillettes for that section, but then I realized for the first time that the dress actually had more paillettes around the hem! Good thing they came in a package of 200…
So, not only are there swags of embroidered trim near the hem, but there also appears to be a row of silver paillettes following the lines of that trim with short line segments connecting the two. It’s really only obvious in this one photo, so it’s no wonder I missed it on my initial viewing:
See the little gray dots following the lines of white trim? Clearly paillettes. However, I can’t tell what the faint white lines are– it’s possible that, like the sleeve and neckline detail, they are embroidered lines of thread with clear sequin “leaves” on either side.
As I said in my earlier post, I had just finished the sequined swags on the sides of the gown (which took a few tweaks to get right), and was about to start embellishing the center panel when I realized that I had a problem. While some of the movie stills quite clearly show that the center panel is covered in sequins, other shots make it look like there are far fewer sequins, and still others imply that any sequins aren’t really that prominent at all.
Here, there are tons of sequins visible, all looking the same color silver as the side swags: